The AFI Fest premiere of Heretic made quite an impression on the evening of October 25, 2024, at the renowned TCL Chinese Theater in Hollywood. Before the film even began, the audience was treated to Hugh Grant’s trademark humor, as he opened the event with a cheeky nod to his past. “Hollywood Boulevard has always been a lucky place for me,” Grant joked, referencing his 1995 arrest just a few blocks away. The packed theater, buzzing with anticipation, erupted in laughter—a sign of the engaging experience to come.
Directed by Scott Beck and Bryan Woods, the minds behind A Quiet Place, Heretic delves into darker thematic territory, weaving a psychological horror tale rich with complex themes of faith and manipulation. In the film, Grant delivers a chilling portrayal of Mr. Reed, a sadistic puppeteer who lures two unsuspecting missionaries, played by Sophie Thatcher and Chloe East, into a battle of survival and moral ambiguity. The film is a sharp departure from Grant’s familiar romantic-comedy persona, showcasing his versatility as he effortlessly toggles between deceptive charm and cold-blooded menace.
Beck and Woods’ directorial finesse is evident from the outset. As soon as the two missionaries knock on Mr. Reed’s ominous door, the tension ratchets up. The film immerses viewers in an unsettling, unpredictable atmosphere, relying heavily on psychological scares rather than overt horror tropes. Thatcher and East’s performances are equally compelling, depicting the young women’s vulnerability and growing resolve as they face Reed’s relentless psychological manipulation. Their on-screen chemistry lends credibility to the story, drawing viewers into the characters’ desperation and fear.
Cinematographer Chung-Hoon Chung, known for his work on It and Last Night in Soho, elevates Heretic‘s horror elements with skillful use of shadow and framing. The dimly lit interiors of Mr. Reed’s eerie home create a suffocating ambiance, amplifying the film’s sense of dread. Justin Li’s taut editing ensures that each scene contributes to the building suspense, making the 110-minute runtime feel brisk and intense. The score by Chris Bacon complements the film’s tone, providing eerie undertones that enhance the tension without overshadowing the narrative.
What sets Heretic apart from traditional horror films is its deeper exploration of belief, trust, and morality. The screenplay, also crafted by Beck and Woods, is filled with thought-provoking dialogue and ambiguous scenarios that keep the audience guessing about the characters’ motives and the nature of Reed’s sinister game. This approach to storytelling not only sustains suspense but also adds layers of complexity to the film’s message.
The production design by Philip Messina, known for The Hunger Games, creates a labyrinthine setting within Reed’s house, emphasizing the missionaries’ sense of entrapment. Betsy Heimann’s costume design is another subtle yet effective element, reflecting the psychological unraveling of the characters through their gradually disheveled appearances.
Heretic is a standout at this year’s AFI Fest, offering a gripping, atmospheric experience that lingers long after the credits roll. Beck and Woods have once again proven their mastery of suspenseful storytelling, bolstered by an outstanding cast led by an unexpectedly sinister Hugh Grant. It’s a film that will not only satisfy fans of horror but also engage those interested in narratives that challenge perceptions of morality and faith.
Rating: 4.5/5
Heretic is a must-see for those who appreciate intelligent horror that raises unsettling questions while delivering a nerve-wracking experience. If you’re looking for a psychological thriller that stays with you, this film should be on your watchlist.
Report Mark Winkler
