Above (L-R): Frank Machos, Executive Director, School District of Philadelphia, Office of the Arts & Creative Learning, Sierra Guilmartin, Recipient, Sister Rosetta Tharpe Scholarship, and Dr. William Hite, Superintendent, School District of Philadelphia.
Sister Rosetta Tharpe’s immense talent and confidence arrived during an era when women, and especially women of color, had no voice. An era where no woman dared play guitar at the front of the stage, let alone front a solo act. No woman except Sister Rosetta Tharpe.
An audacious performer from Cotton Plant, Arkansas who became a gospel superstar, Sister Rosetta Tharpe is an artist that rarely comes up in debates about the true founding father of rock ‘n’ roll. She fronted her own band, she was one of the first artists of note to play the iconic ‘61 Les Paul SG Custom electric guitar, she was a headlining, black female artist who toured through the segregated Jim Crow South, and she has been largely overlooked as a seminal figure in the creation of rock music. As it turns out, the founding father of rock ‘n’ roll wasn’t a father at all – that distinction belongs to Sister Rosetta. A gospel-trained force of nature that broke barriers, stereotypes, and norms with astonishing regularity, her electrifying music predates the work of like-minded guitar legends including Chuck Berry, Muddy Waters, and Elvis. Sister Rosetta Tharpe unequivocally remains the textbook definition of an iconoclast – The Godmother of Rock ‘n’ Roll.
Watch and share “Shout, Sister, Shout! Sister Rosetta Tharpe,” Gibson’s tribute to Sister Rosetta Tharpe, featuring Celisse and Amythyst Kiah, which takes viewers on a journey of Sister Rosetta’s monumental impact on music: https://www.youtube.com/watch?v=ii06ABCd9ww.
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